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msarki

M Sarki

Besides being a poet with four collections published, M Sarki is a painter, film maker, and photographer. He likes fine coffee and long walks. 

M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.

Currently reading

Inside Out: A Personal History of Pink Floyd (Reading Edition)
Nick Mason
American Witness: The Art and Life of Robert Frank
R J Smith
Why Bob Dylan Matters
Richard F. Thomas
Deception
Philip Roth
Nevertheless: A Memoir
Alec Baldwin
A $500 House in Detroit: Rebuilding an Abandoned Home and an American City
Drew Philp
Spring Song and other stories
Joyce Cary
The Dying Grass: A Novel of the Nez Perce War
William T. Vollmann
Brett Whiteley: Art, Life and the Other Thing
Ashleigh Wilson
Girlfriends, Ghosts, and Other Stories
Annette Wiesner, Nicole Kongeter, Robert Walser, Tom Whalen

Sam Shepard: A Life

Sam Shepard: A Life - John  Winters https://msarki.tumblr.com/post/158698434653/sam-shepard-a-life-by-john-winters

Shepard’s most recent Oedipus-centered play, [book:A Particle of Dread|31147621], was predictably unpopular and taxing to read. That is not to say this dramatic work offers proof of Shepard’s decline. His plays have generally been a bit annoyingly crude and sometimes obtuse. But for years Shepard has continued to suit up and show up, and he follows his muse wherever it takes him. A long career now of writing and acting has shared his life with other demanding physical movements including raising horses and playing music in a band. And because of what impels him to do what it is he does, Shepard’s personal life has often given sway. Taken as a whole, and after having read most everything Sam Shepard has written as well as viewing the bulk of his better ventures into acting, it is understandable that his powers would one day wane and be judged as “in decline”. But the seventy-two year old man remains a force to be reckoned with; a persona of American Midwest greatness and, in addition, a sad and angry Western cowboy bent on eventually breaking himself.

John Winters has written an honest and comprehensive account of Sam Shepard. This intensive look, both inside and outside, of a man’s long career and life, is obviously well-informed and researched. A necessary book added to a still-growing oeuvre. And for those interested, a serious attempt to understand a man who has remained for many an American enigma.