19 Following

M Sarki

Besides being a poet with four collections published, M Sarki is a painter, film maker, and photographer. He likes fine coffee and long walks. 

M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.

Currently reading

L'Appart: The Delights and Disasters of Making My Paris Home
David Lebovitz
We Learn Nothing: Essays
Tim Kreider
Fiona Mozley
Limbo, and Other Places I Have Lived: Short Stories
Lily Tuck
The Double Life of Liliane
Lily Tuck
At Home with the Armadillo
Gary P. Nunn
American Witness: The Art and Life of Robert Frank
RJ Smith
Karl Ove Knausgård, Ingvild Burkey, Vanessa Baird
Inside Out: A Personal History of Pink Floyd (Reading Edition)
Nick Mason
American Witness: The Art and Life of Robert Frank
J.R. Smith

Apprenticed to Venus: My Secret Life with Anaïs Nin

Apprenticed to Venus: My Secret Life with Anaïs Nin - Tristine Rainer https://msarki.tumblr.com/post/163284976113/apprenticed-to-venus-my-secret-life-with-ana%C3%AFs

…In fact, for me, having come of age in the 1950’s, a man taking you while you were helpless was a secret fantasy. One where I could have pleasure without guilt, as when I imagined myself being bound to a factory conveyor belt and carried on it to a man like nougat centers to the chocolate dip—moving toward desire free of volition.

Tristine Rainer, an academic professor in her later years, now confesses her rapturous secret life at once riveting and hinged on a sensuality deemed as generally too dangerous. But Rainer today must not care what most of us think and perhaps she feels strongly about the importance of her subject. In the early sixties Anaïs Nin had become her mentor as Rainer signed on as confidant. The story of their relationship reveals in greater detail what Nin has previously confessed to in her diaries. This is the backstory, and it offers a deeper glimpse, or even perhaps a more honest gaze, into what impelled Nin to behave in ways that are still, in some holy circles, unacceptable today. The sexually liberated woman is still at risk for condemnation. Anaïs Nin was either a precursor to the women’s movement, or perhaps, in degrees, a founding mother of it. Having to wait thirty years to publish this revealing memoir due to Nin’s second husband remaining alive, this confession proves to be graciously insightful as well as an interesting read.