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M Sarki

Besides being a poet with four collections published, M Sarki is a painter, film maker, and photographer. He likes fine coffee and long walks. 

M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.

Currently reading

L'Appart: The Delights and Disasters of Making My Paris Home
David Lebovitz
We Learn Nothing: Essays
Tim Kreider
Fiona Mozley
Limbo, and Other Places I Have Lived: Short Stories
Lily Tuck
The Double Life of Liliane
Lily Tuck
At Home with the Armadillo
Gary P. Nunn
American Witness: The Art and Life of Robert Frank
RJ Smith
Karl Ove Knausgård, Ingvild Burkey, Vanessa Baird
Inside Out: A Personal History of Pink Floyd (Reading Edition)
Nick Mason
American Witness: The Art and Life of Robert Frank
J.R. Smith

Whores for Gloria

Whores for Gloria - William T. Vollmann, Gloria Vollman https://msarki.tumblr.com/post/161848367868/whores-for-gloria-by-william-t-vollmann

…I haven’t told the truth for so long now that I’ve given up lying.

William T. Vollmann’s name has come up often and been noticed on lists of books deserving to be remarked upon. For some reason I have resisted reading him, but my being recently compared to him by another writer I am intimate with, I decided to examine a bit of the fuss behind the legend of Vollmann. Whores for Gloria signals my starting point. And what a point it is.

…Virgin Mary candy full of sunlight and ocean fruit…

The narrator’s voice is natural and through the use of no punctuation the dialogue between all the players is easy to discern, understand, and know at all times just who is talking. But the subject matter perhaps excludes too many of us on purpose. And I like it that Vollman’s work is exclusionary. Becomes a sort of fraternity I have been temporarily made member of. In this particular case a membership in what might be referred to as a gutter club. Flying dirt balls of emotion and most certainly a fated dead end. It is obvious to me that Vollmann has studied his whoring subjects well. His disturbed protagonist is named Jimmy.

It isn’t easy for me being this close-up to Vollmann. Too few pages of pure joy, reading pleasures somehow massaging the pain and loss that permeates everything everywhere. Jimmy’s absent love conjured up in real time, futile attempts at recovering some sense of belonging in the world, even in light of his daily encounters with a confounding nature called time. And sadly, time being something apparently needing to end for him.

…alley by alley I will search and destroy…he could not believe that he was actually remembering anything because he had not done that since before he started drinking, and he felt uneasy…

In light of Jimmy’s incessant delusion in his remembrance of his long-lost Gloria the story is as much about forgetting. Fueled by alcohol his escape from the horrors of the Vietnam War seemed to morph into a parallel fantasy regarding the woman of his dreams brought to life through the seedy culture of San Francisco’s Tenderloin district.

One night Riley hopped a freight into town, and because he had been living the life of himself he was in bad shape.

For me, my first exposure to William T. Vollmann was portend, portend, portend. And for more of that I will be back. [b:Butterfly Stories|45683|Butterfly Stories|William T. Vollmann|https://images.gr-assets.com/books/1348089356s/45683.jpg|44857] is calling.