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M Sarki

Besides being a poet with four collections published, M Sarki is a painter, film maker, and photographer. He likes fine coffee and long walks. 

M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.

Currently reading

Inside Out: A Personal History of Pink Floyd (Reading Edition)
Nick Mason
American Witness: The Art and Life of Robert Frank
R J Smith
Why Bob Dylan Matters
Richard F. Thomas
Philip Roth
Nevertheless: A Memoir
Alec Baldwin
A $500 House in Detroit: Rebuilding an Abandoned Home and an American City
Drew Philp
Spring Song and other stories
Joyce Cary
The Dying Grass: A Novel of the Nez Perce War
William T. Vollmann
Brett Whiteley: Art, Life and the Other Thing
Ashleigh Wilson
Girlfriends, Ghosts, and Other Stories
Annette Wiesner, Nicole Kongeter, Robert Walser, Tom Whalen

I, Mary MacLane: A diary of Human Days (American Biography Series)

I, Mary MacLane: A diary of Human Days (American Biography Series) - Mary MacLane …You were honest since you made no pretense of any kind to yourself. You took no gold that you did not logically, humanely, or shamefully earn. You were consciously and unconsciously above all subterfuge. You wrought no ruin nor error nor darkness upon your own spirit or any other. You deceived neither yourself nor anyone about you. The tone of your life was of sun-shining simplicity and cleanness. There was no greed in you. You saw your way of life before you and lived it without degradation, with a positive of strength.___Mary MacLane from I, Mary MacLane

Though there were moments, such as the example above, of the Mary MacLane of old, this sequel to her original diary failed in providing the power expected in her writing. Perhaps she had become a bit too enamored with herself and the instant fame and notoriety her first work afforded her. This offering seemed uninspired, and perhaps that had something to do with her return to Butte, Montana. Even so, nothing will lessen for me the importance of what Mary MacLane achieved in her first book. And this proves how difficult it is for a writer of note to go on and continue to remain vital. It is no wonder she faded from the public's eye, and no fault but her own.