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msarki

M Sarki

Besides being a poet with four collections published, M Sarki is a painter, film maker, and photographer. He likes fine coffee and long walks. 

M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.

Currently reading

Brett Whiteley: Art, Life and the Other Thing
Ashleigh Wilson
Girlfriends, Ghosts, and Other Stories
Annette Wiesner, Nicole Kongeter, Robert Walser, Tom Whalen
The Lesser Bohemians
Eimear McBride
My Life and Loves
John F. Gallagher, Frank Harris
Melbourne Beach and Indialantic Florida
Frank J. Thomas
Writing Dangerously: Mary McCarthy and Her World
Stephen Black, Carol Brightman
Seduction and Betrayal: Women and Literature
Elizabeth Hardwick, Joan Didion
My Friend Annabel Lee (1903)
Mary MacLane
Human Days: A Mary MacLane Reader
Bojana Novakovic, Michael R. Brown, Mary MacLane
Stranger Shores: Essays 1986-1999
J.M. Coetzee

M Train

M Train - Patti Smith Wish she hadn't included a damaging spoiler for the now-defunct hit detective show The Killing as I am only into the beginning of the second season. But other than that lame and selfish act the book was a rather fine read. Smith is most definitely into talismans, as am I to a degree, but she places far more significant spiritual value to her artifacts than I do. I simply keep around me the things that turn me on. She also performs her version of a litany for important activities such as visiting an author's grave site, washing the stone, clearing the weeds, lighting a candle, and reciting a few chosen words to mark the occasion of her visit. It seems memory plays a large part also in her daily activities, and any time she can conjure her dead husband, icon, or this spectre of a cowboy most likely named Sam Shepard, she does. She obviously really likes visiting with these people and writing about it. Patti Smith also has an infinity for The Beats, who I personally abhor and cannot express how much they disgust me with their awful poetry and theatrical recitations suggesting they occupy some higher standing than the rest of us. But Patti must be forgiven, and is, as she truly is an artist of the first rank, at least when she adheres to her own originality. And if you've ever seen her when she is moved to express her body, wafting within a song, she is a goddess of dance.