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msarki

M Sarki

Besides being a poet with four collections published, M Sarki is a painter, film maker, and photographer. He likes fine coffee and long walks. 

M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.

Currently reading

Brett Whiteley: Art, Life and the Other Thing
Ashleigh Wilson
Girlfriends, Ghosts, and Other Stories
Annette Wiesner, Nicole Kongeter, Robert Walser, Tom Whalen
The Lesser Bohemians
Eimear McBride
My Life and Loves
John F. Gallagher, Frank Harris
Melbourne Beach and Indialantic Florida
Frank J. Thomas
Writing Dangerously: Mary McCarthy and Her World
Stephen Black, Carol Brightman
Seduction and Betrayal: Women and Literature
Elizabeth Hardwick, Joan Didion
My Friend Annabel Lee (1903)
Mary MacLane
Human Days: A Mary MacLane Reader
Bojana Novakovic, Michael R. Brown, Mary MacLane
Stranger Shores: Essays 1986-1999
J.M. Coetzee

Rose Mellie Rose

Rose Mellie Rose - Marie Redonnet, Jordan Stump http://msarki.tumblr.com/post/115287495703/rose-mellie-rose-by-marie-redonnet

For some reason, and it was a surprise to me, this short novel felt more realized than the first two in the trilogy. But there is no way I would ever compare Marie Redonnet with the writing of Annie Ernaux, Samuel Beckett, or any other person champions in her corner are wont to do for her. She is her own, and no label or comparison will do anyone justice, or any good. The almost-innocent childlike voice of every narrator in all three books of the trilogy can at times remind me of Agota Kristof, but the final result fails in comparison. This trilogy is in no way a brilliant work of fiction, but pure enjoyment can be had in reading them. Redonnet certainly has style, and that matters. Perhaps a novel of hers to come will strike me as masterful. In the meantime I am satisfied in the way in which she fares.

What is interesting, and sometimes a bit puzzling, is how Redonnet in all her books has her young girl characters nonchalantly experiencing, for example, their first period, falling prey to lecherous men who only want them as sex objects, and the girls routinely coming back for more sexual abuse even from the same pathetic guys. Never is any love involved, no emotion, just sex as if it was as normal and acceptable as the setting sun. Prostituting oneself is also expressed nonchalantly and assumed acceptable. It means nothing to these girls to be violently thrown onto the sand and taken, to be ordered to strip naked and be penetrated, or to be turned over and entered from behind. It is all presented in her text as matter-of-fact, no despair, no feeling of injustice or their having been violated. Instead the young girls continue expecting more of the same, and even go looking for it. And to make matters even more disconcerting, in these clever and well-written books there is rarely a decent man available to even have a loving relationship with. But for some reason there is no review yet written that questions any of my concerns relative to the writing of Redonnet. It is almost as if her readers have become complicit in her undertakings and care little about another's undoing or destruction. Or perhaps it is my own puritan upbringing fighting for years to maintain its awful strangling hold on me, and my struggle to conform to a world that rarely, if ever, makes sense.