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msarki

M Sarki

Besides being a poet with four collections published, M Sarki is a painter, film maker, and photographer. He likes fine coffee and long walks. 

M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.

Currently reading

L'Appart: The Delights and Disasters of Making My Paris Home
David Lebovitz
We Learn Nothing: Essays
Tim Kreider
Elmet: LONGLISTED FOR THE MAN BOOKER PRIZE 2017
Fiona Mozley
Limbo, and Other Places I Have Lived: Short Stories
Lily Tuck
The Double Life of Liliane
Lily Tuck
At Home with the Armadillo
Gary P. Nunn
American Witness: The Art and Life of Robert Frank
RJ Smith
Autumn
Karl Ove Knausgård, Ingvild Burkey, Vanessa Baird
Inside Out: A Personal History of Pink Floyd (Reading Edition)
Nick Mason
American Witness: The Art and Life of Robert Frank
J.R. Smith

Rituals

Rituals - Cees Nooteboom http://msarki.tumblr.com/post/80767386472/rituals-by-cees-nooteboom

Almost immediately I entered a world not of my making and willingly allowed myself to engage the characters within the covers and become somewhat a friend to them. My personal allowances were not wasted, as good fortune greeted me at every turn the novel made. Cees Nooteboom begins this work with a bit of a disparaging look upon his main character, Inni Wintrop. Though Inni failed at his own suicide, his only marriage, and avoided a working career sufficiently respectable and typical of the times, he was instead vastly superior at dabbling. Because of a small but suitable allowance provided by his aunt in which to live quite modestly, Inni was free to enjoy his daily chance encounters with all sorts of eccentric and passionate individuals, and allow life to challenge and confuse others in order that Inni himself might be entertained and educated in countless ways.

Surprises happen almost on every other page and Nooteboom writes in a manner relaxed and conversational in tone. The novel was a joy to read and nothing in our realm of human nature was deemed off-limits to discussion and further inquiry. To list these delightful turns would take away some of the excitement in discovering them for yourselves as the novel progresses to its fateful end. Every character is easily imagined by the reader, and the enrichment in meeting new and enlightening people enriched my periods with them so much so that it was certainly painful to lose them in time to a sort of death that one cannot escape portending for oneself in the frame of a life hoped to be unanimously agreeable and worth living. I cannot encourage enough the reading of this fine little book for all who take life seriously, and for certain others of us who always seem to wish for more no matter the size of our serving.