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msarki

M Sarki

Besides being a poet with four collections published, M Sarki is a painter, film maker, and photographer. He likes fine coffee and long walks. 

M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.

Currently reading

L'Appart: The Delights and Disasters of Making My Paris Home
David Lebovitz
We Learn Nothing: Essays
Tim Kreider
Elmet: LONGLISTED FOR THE MAN BOOKER PRIZE 2017
Fiona Mozley
Limbo, and Other Places I Have Lived: Short Stories
Lily Tuck
The Double Life of Liliane
Lily Tuck
At Home with the Armadillo
Gary P. Nunn
American Witness: The Art and Life of Robert Frank
RJ Smith
Autumn
Karl Ove Knausgård, Ingvild Burkey, Vanessa Baird
Inside Out: A Personal History of Pink Floyd (Reading Edition)
Nick Mason
American Witness: The Art and Life of Robert Frank
J.R. Smith

A Man in Love

A Man in Love - Karl Ove Knausgård, Don Bartlett http://msarki.tumblr.com/post/90345124413/a-man-in-love-min-kamp-2-by-karl-ove-knausgard

As I was nearing the end of Volume II I actually felt a bit silly and embarrassed as I looked forward to reading my customary turtle-paced six pages each morning. I used the book as part of my daily meditation as I knew there was no way I could read it like I do novels in which I am interested in and cannot help myself in finishing more than too fast. And as hard as it was for me to trudge through the almost endless Knausgård rhetoric involving changing dirty diapers and idle conversation with people of no interest to him or to me it struck me constantly how there are very few writers I respect and admire that I would give the same reverence to as I seem to give this guy Knausgård. I am simply indifferent these days to child-rearing, and this is one of the major points of focus in his life as a writer. But in all his endless chatter regarding his self-inflicted mundane life, and my growing disinterest in basically everything he does but write, he seems to not care one bit what I might think of him and what he says. Knausgård himself claims he would never understand why anyone would read him either. And somehow I feel sorry for him even as he wheels his double-wide baby carriage full of cash to deposit into his local bank.

Karl Ove Knausgård has been compared to Marcel Proust, and unfairly so it seems. It is likely because Knausgård’s completed series spans six large books. I never felt I had enough time left in my life to properly give Proust a fair reading at the expense of so many other novels I felt I still had to read. Though I have tried a bit in the past to read Proust I gave up the struggle rather quickly. I did recognize his greatness just from the little bit I read. And I happened to own quite a lovely set of his books I sold for a rather large sum a few years ago, not to mention my visiting his grave in Père Lachaise.

Quite often the agenda-based literary types complain about Knausgård’s maleness, race, and sexual orientation being one and the same with all the other media-driven marketing stars of time past. I basically do not have any need either for elitist white man's drivel, or parenthood, daycare, or love relationships, mothers and fathers and the sins inflicted on their children, drinking, beating off, or whatever it is these complainers are talking about. I read for the words, the language, and even though Knausgård is reported to not like the English translation of his books is even more reason for me to read them. He is also a contrarian and I believe the world needs more of them in it. As for the powers-that-be and their marketing genius focussed on the white heterosexual I say, "have at it." Hardly anybody reads anymore anyway. At least not anything literary. I never have liked people with agendas, or organizations that think they know better, or works of art that complain about things as they are. I prefer, through the language, to get my socks knocked off every chance I get. Knausgård does NOT do that for me, but there is something about him that has several really smart people trying to figure out what that is, and certainly not because he is popular today with a few wannabes. Something occurs in his text that changes things, that alters something in our bodies, and there is a redemptive quality after finishing these rather long books. And don't ask me why because I don't know what it is.

I rarely, if ever, buy a book due to its marketing. The few times I have I was extremely disappointed and swore I would never do it again. I read a lot and learn of other writers I might be interested through this process of discovery. I am involved quite intimately with like-minded readers who offer me so many book recommendations that there is no way I can possibly get to them all. I am so far removed from the marketing aspect that I feel I am on the fringe. Add that in the summer I spend four months in Michigan in a cabin with no TV and I am basically advertisement-free. And when I am home in Kentucky I watch internet TV services such as Netflix and amazon prime and again have no marketing thrown at me at all. It is only during the Super Bowl, The Kentucky Derby, and the nightly news that I am bombarded by ads for Viagra, Depends, and other unsavory delectables. And I do not watch Oprah or read her shitty magazine. So marketing does not work for me, or on me. And the readers who depend on these advertisers and blurbs to tell them what to read deserve what they get.

There is nothing in Vol II of My Struggle that feels important enough for me to comment on. It is enough for me that I finished another book in this series. I have not learned much from Knausgård either. I don’t like the music he listens to or even many of the books he reads. And it is perhaps because of our age difference that he matters so little to me as a contemporary. But what I do like is his style, his indifference to what any of us might think of him, and his determination to see this project through. He is going to continue telling us his life story and we might all as well get used to it. He is a relatively big star in regards to the few people who might be reading him. He is a dark and dangerous man, and has looks that compare with an actor named Bridges. Knausgård is as stunned as some of we are at his current success. I find myself simply happy for him and despise all the jealous griping. And Knausgård is not a creep, which is saying more for him than other media darlings who seem to get far more marketing attention than he.